Includes bibliographical references.
|Other titles||Arts in society|
|Statement||Pascal Gielen and Paul De Bruyne (eds.).|
|Contributions||Gielen, Pascal., Bruyne, Paul de.|
|LC Classifications||NX180.S6 B426 2009|
|The Physical Object|
|Pagination||168, ca. 40 p. :|
|Number of Pages||168|
|LC Control Number||2010366239|
Being an Artist in Post-Fordist Times (Arts in Society) Pascal Gielen and Paul De Bruyne NAi Publishers ISBN A compilation of texts by artists, theorists, and other writers who explore the ways in which artistic production and post-Fordist production have become intertwined in the contemporary age and consider what the place. Being an Artist in Post-Fordist Times Edited by Pascal Gielen, Paul de Bruyne. In an essay included in this volume, the Italian philosopher Paolo Virno argues that the arts have become a component of what he calls the post-Fordist production process, and have consequently sacrificed what little autonomy from consumerism they may previously have had. Book: Publisher: NAi publishers: Abstract: Being an artist in Post-Fordist Times, sketches a provocative impression of the manner in which prominent artists, theorests and art intermediaries relate to economic, political, social and ecological : Pascal Gielen, Paul De Bruyne. Gielen has written several books, articles and essays on contemporary art, cultural heritage and cultural politics. He also frequently gives lectures about these topics. Recent publications include 'The Murmuring of the Artistic Multitude. Global Art, Memory and Post-Fordism' (); 'Being an Artist in Post-Fordist Times' (), 'Community Art.
Pascal Gielen - Being an artist in post-Fordist times - Artistic strategies in post-Fordist times (Art Forum). In his contribution to this publication the Italian philosopher Paolo Virno argues that art has been dissolved in society like an effervescent tablet in water. The arts have become an essential component of the post-Fordist production process and have to a large degree lost their autonomy. Download PDF: Sorry, we are unable to provide the full text but you may find it at the following location(s): (external link) http. The research/book examines the present and potential function of residencies for artists, the art world and the society at large. The globalization process and the increasing growth of the art market have all had an impact on the latest developments of artists’ residencies.
Being an artist in post-Fordist times Pascal Gielen, Paul de Bruyne pages Tom Judd's past is clouded in awkward memories, unfulfilled dreams, and hate. For him, becoming a man is all about. Being an Artist in Post-Fordist Times: Author: de Bruyne, P.K.G. Publisher: Literature & Art, RS: FASoS AMC: Date issued: Access: Restricted Access: Language: English: Type: Book: . Gielen is also editor-in-chief of the book series ‘Arts in Society’ (Fontys School of Fine and Performing Arts, Tilburg & Groningen University). He has written several books on contemporary art, cultural heritage and cultural politics. His publications include Being an Artist in Post-Fordist Times (,NAi Publishers), The Murmuring of the Artistic Multitude (, and , Valiz), . De Bruyne, P. (). Turbulence in arts paradise some notes on the future of art schools. In P. De Bruyne & P. Gielen (Eds.), Being an artist in post-Fordist times (2nd ed., pp. –). NAi Publishers: Rotterdam. Google Scholar.